LESSER DEMONS: CHAPTER 12

Posting for feedback. (Frame of reference for people who read the previous draft: this used to be Chapter 7.) Thanks for reading!


CHAPTER 12

There’s this awful sort of anticipation all heavy in my gut as I turn around, moving real slow as if whoever’s there can’t really exist until I’m actually seeing them. No one is there, though. It’s just the empty hallway and the soft swishing sound of Eilian’s departing footsteps.

It makes it worse that I can still feel the energy of a person there, even though I can’t see anyone. And the fact that the sensation is so strong, as though if I reached my hand out in front of me, there’s no doubt I’d make contact with some physical being. It’s sending prickles up and down my spine like a dozen creepy crawlers.

Just a few seconds ago, all the spookiness was kind of fun. The harmless thrill of scary stories at a slumber party. It’s become something totally different now, though. Now, I’m thinking about the fact that there are real people in this world who want to harm me. People who’s powers I know very little about and who, for all I know, really could be standing there right in front of me, invisible to my eye, trying to decide how best to make me hurt.

The unseen person—or thing, or whatever—isn’t moving, and I can’t make myself move either. Part of me wants to reach out and try and touch it, to make sure that there really is something in that pocket of energy hanging in the air. The rest of me just wants to run away like a scared little kid toward the fading sound of Eilian’s footsteps.

Then her footsteps stop, and for a heavy three seconds I hear nothing from her at all. There’s just this terrible quiet that makes me suddenly sure this ominous, invisible force has gotten hold of her too somehow. Then her voice sounds out, traveling loud and clear down the hallway.

“Are you coming already?” she calls, and the fake impatience in her voice just totally breaks the spell.

Of course no one else is there with me. It’s so suddenly obvious that no one ever was. If they had been, I’d have sensed their essence. I just let the setting get to me—let my imagination run a little too wild—and now, standing here in a glaringly empty hallway, I’m feeling pretty foolish about it all. Swearing kind of sheepish to myself that this is a story no one else will ever hear, I hurry off after Eilian, shooting just one quick glance back behind me as I go. You know, just in case.

On the sixth floor there’s this little nursery that’s full of toys that Eilian swears date back even further than the 1700s. This is the only room where she apparently doesn’t mind lingering for a while. She rummages around through all of the toys and pulls out the ones she thinks might be most interesting, telling me more about their histories than she bothered doing with anything else in the house.

There are a bunch of little wooden ships and animals and things, a nearly full-sized rocking pony, some pretty intense model castles and houses. An ant farm made of hundreds of little robotic ants. Elian’s favorite toys are the real weird ones. Like these rabbit dolls that you can open up, and inside there are some way too real little rabbit organs.

The thing she gets the most excited about, though, are these dead-eyed porcelain dolls with weird little speakers set into their backs.

When she notices them on a shelf in one of the far corners, she says, “Oh, these are terrible,” as if by terrible she means amazing.

She grabs a couple of them and shoves one into my hands, bringing the other doll up to her mouth and speaking into the speaker in this real high-pitched voice.

“I’m Sophie,” she mocks me, and her voice comes out all hollow and eerie from the doll’s staring face. “And when I see steel faces I just go ‘Aaaaaaaaa!’”

Rolling my eyes, I bring my own doll up to my mouth. “I’m Eilian,” I copy her tone. “And I take pleasure in other people’s pain.”

I draw the words out real long, trying to turn it into a sort of ghosty sound, and that’s when Dylan walks into the room. Of course. Right when I’m acting like a total weirdo. He stops on the threshold and eyes the two of us for a second, the smallest hint of a smile playing at the edges of his lips.

“Lunch is ready. Time to put your dollies away.”

***********************************************************************

After lunch, Dylan takes over the house tour, saying that there’s really only one place left that I need to see. We use the main elevator, which runs through the center of the tree and opens up on the first floor, in the wall underneath the marble staircase. The inside of the elevator is covered in golden gilding and hundreds of little odd-shaped mirrors, so that no matter where you look in the thing your own reflection’s staring back at you many times over.

The controls are on a panel that appears over a mirror by the door when Dylan waves his hand in front of it. They’re made of that light matter stuff, all blue and holographic with these elaborate, glowing designs wrapping around the numbers and coming together in a Celtic knot at the top.

I think the knot is just for decoration, but when Dylan taps it, the elevator starts into motion.

“This takes us to the aerie,” he says. “It was my parents’ pet project until—” He pauses just long enough for me to notice it. “Until they had to stop working on it. The thing about the aerie that I like most, though, has been there most of my life.”

We ride the elevator up for what must be at least a dozen stories, and when the doors open finally I’m not real sure what I should expect. There’s a hallway, a bit narrower than on the other floors. It’s still made of that golden-colored wood that’s all over the house, but up here there aren’t any of the bird designs in it. The hall leads to a little reading room that’s lined in cushioned benches, with a few other loungey chairs and strategically placed side tables scattered around.

The far wall is made entirely of windows, and Dylan walks straight over to them, opening a couple french doors and waiting for me to step through. It’s a balcony out there, so high up on the tree it feels like we’re practically flying. The house’s huge green willow branches drape down in front of us, framing the Daxan cityscape in a way that makes me stop dead in my tracks.

All those jumbo tree houses and craggy hill mansions rising up next to monumental desert buttes—that was all pretty amazing to see from the ground, but from up here it’s like some sort of dream world. Off to the left, crystalline downtown Daxa flickers in the sun as if everything there is made of quivering candles, and as a backdrop to all of this, the towering, snow-covered mountains sit there like kings against the dusk-tinged slate blue of the afternoon sky.

I can’t come up with a single word to say. I’m just standing there, staring at it all and thinking that this must be what it’s like to stare into the divine or something. I mean, I couldn’t imagine up a better version of heaven.

Dylan steps over to the balcony’s edge, leans against the carved wooden railing and looks back at me with a gratified smile, as if my appreciation for all of this is somehow a sort of compliment to him.

“Daxa shows its best from up here, doesn’t it?”

As an answer I just walk over to the railing next to him to stare over the side for a better view. It’s like some chess game set up by the gods down there or something, and we’re so high up right now that I can actually smell the cold. As if, with so little else to distract my senses, the scent of it just sings out loud in the air.

Dylan takes a little step closer to me, places his hand on the railing next to mine, and I can sense him heating the air around us. It’s cozy and kind of intimate, standing alone with him up here. After a second he reaches into his pocket and pulls out a small gray envelope.

“Here’s your Wyoming drivers license,” he says. “And a Sophie Warren passport, to add further credence to your identity.”

It’s weird to look at those ID cards and see my own face, all framed with my shining blue super-hero hair. Dylan took the pictures this morning before he left for work, but he’s altered them a little. Made my hair a bit shorter all around, my face a little younger. To give the impression that time’s passed since the IDs were issued, he tells me.

Looking down at those things, holding them in my hands—for the first time in days the idea of living this secret identity actually feels kind of cool. I smile up at Dylan.

“This makes me an official spy now, right?” I ask, and he lets out this soft little laugh.

“You still need more training. Which,” he glances around the balcony, “we might as well do now.”

He pulls a couple of the smallest chairs out of the reading room inside and sets them up so they’re facing over the balcony railing.

Looking at me over the top of the chairs he says, “I can’t teach you much about how to be a reader, but I can teach you how to control your sightings so they don’t keep sending you stumbling to the ground. Won’t take long for people to suss you out if they realize you’re already getting sightings at this point in your Painter development.”

He has me sit down while he sets up another bubble of heat around us so that it’s almost as warm as if we were inside the house. For some reason I’m suddenly feeling kind of nervous as he sits in the chair next to me, like maybe I’m not going to be able to do all this painting and reading stuff after all. Like, maybe I’m actually just some sort of a dud.

“Today’s focus will be meditations,” he says. “They’ll help you learn how to channel your essentual energy and receive sightings without giving away any visible signs.”

Digging into his pocket he pulls out a little book and hands it to me. It’s about the size of a notecard and not even a quarter-inch thick. The pages are curled at the edges and most of the cover’s torn off as if this book’s been carried around in his pocket and opened and read every single day.   

“It details a variety of effective meditations,” Dylan explains. “I’ll teach you a few today and you can look over the rest later, but before you can understand what’s in the book you’ll need to know some of the basic principles behind particle painting.”

Propping his feet up against the wooden rungs of the balcony railing in front of us, he slumps back in his chair all casual and unconcerned in a way that reminds me a whole lot of Eilian.

“You’re pretty well used to seeing the particle world now, it seems. Tomorrow, we’ll teach you how to interact with it, but for now, all you really need to know is that intent equals force. You simply will your mind to reach out and make matter do as you wish it.”

He expands his phone and pulls a set of notes up on his screen. As he scrolls through with one hand he taps sort of absent at his temple with the other, running his fingers up through his hair every once in a while in a way that I find just a little distracting. He looks anything but official right now. It’s like he’s younger, more accessible.

“So, for instance,” he looks up from his notes, “the easiest interaction is to make something hotter or colder, which is why one of the most common Painter weapons is the fireball. It takes little of your own energy. Just a bit of heat and some molecular kindling.”

He pauses to reference something else in his notes and then continues.

“You’ve likely noticed that particles are usually in motion. If they’re moving slowly that typically translates to a lower overall temperature for the material they compose. More movement means more heat.”

I turn my attention to the little book in my hand, look down into the particles there to see what Dylan’s describing. Most of the book’s particles are moving pretty slow except around where I’m holding it with my fingers, where my body heat must be speeding the particles up.

“So the idea is that if you wanted to make fire and you had something flammable available to you, you’d simply will the particles to move faster and—”

Before he can get any further, this burst of flame ignites in my hand, shooting skyward and pretty nearly singeing my eyebrows off. I drop the burning book on the balcony floor and kind of jump backwards in my chair, at the same time that Dylan’s springing to his feet, his phone clenched tight in his fist and his eyes fixed on me.

He’s positioned as if ready for an attack, but his mouth is gaping open in so much comical surprise that I can’t help it if I start kind of giggling. It takes him a few seconds to recover, but then he nearly smiles too and drops down to the ground where the book is still burning. With a quick movement of his hand the flames are gone, and he’s looking up at me with this sort of bewildered expression on his face.

“Was that you?” he asks, like he almost can’t believe it.

“I think so.” I nod, still kind of doubtful myself. I glance at the book on the ground in front of him. It’s barely more than a burnt binding now. “Me and your beloved book of meditations, I guess. Sorry about that.”

“I can always get another,” Dylan says, sitting back on his haunches and studying me for a minute, this strange little smile growing across his face. “Well, that was unexpected. Looks like I’ll have to reevaluate the pace I’d planned for your trainings.”

I’ve never had anyone look at me that way before—like I’m a surprise to them and like that’s a good thing—and I really don’t know what to do with it. Dylan gets up and sits back down in his chair, leaning forward with his forearms on his knees and his eyes still turned toward me, considering.

“I wasn’t planning on doing this today, but why not keep working on painting, then?” he says. “We can do the meditations after.”

He paints out this little lump of something that feels kind of like clay. He calls it a practice ball, and he shows me how to influence the speed of the particles there in a more controlled way, trying to get the temperature of the thing just about exactly where I want it.

Every once in a while he reaches over and wraps his fingers around my wrist, to get a better sense of what it is I’m doing on the particle level, he says. And every time he does it I can feel my essensus start to light up at the back of my neck and my pulse beat just a little quicker.

He keeps commenting on how fast I’m picking up painting, but I’d probably pick it up a whole lot faster if he’d keep his pretty hands to himself.

When he thinks I’ve got the hang of heating and cooling, he has me practice a few meditations that he says should help me the most with channelling my sightings, and with Painting in general. Then he takes my phone and downloads an electronic copy of the little meditation book, telling me that before I go to bed tonight I should try the other methods it describes.

The sun’s hanging low in the sky when Dylan finally says we’d better head back downstairs for dinner. I feel like we’ve been training for days, and I’m starving, but as we’re stepping off the elevator onto the first floor the doorbell rings. This chiming arpeggio that sounds out all loud and cheerful from somewhere up near the great hall ceiling.

Dylan turns on his heel and heads to the front door, across from the foot of the stone staircase. Without really thinking about it I just sort of trail after him, lingering by the nearest marble pillar. So, with the way the room is situated, when he opens the door I’ve got a pretty clear view of the person waiting on the other side.

She’s tall and slender and exotic-looking. All thick, dark hair and thick, dark eyelashes outlining eyes as green as a cat’s. Dylan’s stunned to see her there. He’s standing at an angle to me, but I can still see it in the slackness of his jaw, in the sudden stillness of his arms as they hang at his sides.

The girl hesitates on the doorstep for just a second, and then she steps into the house, smiling at Dylan like he’s a bright light after a long, dark night. Each move she makes is like a little piece of poetry. Like she’s in precise control of every muscle in her body.

She reaches up toward him and slips her hand around the back of his neck for ramu. When she kisses him on the mouth like she’s done it a hundred times before, his whole body pulls in to meet hers, and my heart just sort of sinks.


Previous: Chapter 11

Next: Chapter 13


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LESSER DEMONS: CHAPTER 11

Posting for feedback. Thanks for reading!


CHAPTER 11

I’m twisting around in my chair, scrambling at the seatbelt with no other thought than that I need to get away from this crazy monster thing. It takes me a couple seconds to realize that Eilian is practically cackling now and that Dylan, through his own fair share of laughter, is trying hard to calm me down.

“It’s just a golem, Sophie,” he’s saying, his hand all warm and steady on my arm, and it’s weird to hear him address me by that name. “They wash the windows while we’re stopped. It’s stupid and unnecessary, but people find it charming to mimic the Particle-Blind world in these little ways.”

I notice the metal bucket on one of the thing’s arms now, and the yellow rags in its other hands. Dylan waves the thing off, and it turns away and ambles back to the side of the road, its six arms hanging loose like some sort of homemade insect costume, its movements real creepily smooth.

My heart’s still beating twice as fast as it should be, but I can feel my breath starting to slow down a little. Eilian scoots forward and flops across the shoulder of my seat, and there’s still laughter in her voice when she says, “You’ve really never heard of steel faces?”

“If that’s what that thing is called, then no. I have definitely never heard of those.”

The light turns green and Dylan starts the emvee moving forward again, saying, “They’re basically service golems, performing whatever tasks they’ve been programmed for. They’re used all over Daxa, as well as most other cities in the Republic.”

“They give them the metal faces so they don’t make people uncomfortable,” Eilian offers as if this makes a whole lot of sense.

“That face is supposed to not make people uncomfortable?”

They both laugh.

“It’s supposed to make them less humanoid,” Dylan explains.

“Right. Well they definitely hit that nail on the head.”

As we keep moving I start to notice all sorts of those things around. Tall ones and small ones with any number of arms and legs, moving up and down the sidewalks right alongside the real people. They all have those shining steel faces, and it gives me the jeebies every time they so much as glance in our direction.

The shopping mall where Dylan takes us is shaped like a ten-storied crescent moon and inside it’s not so much that the shops have gardens in them as that the gardens have got shops. I mean, it’s just flowers and trees everywhere, and it’s all real pretty. The ceilings are vaulted with crown molding running along the edges, and the outer walls are made entirely of this rainbow-tinted glass.

Eilian dives into the stores as if shopping is some sort of an olympic sport or something, pulling items off shelves and hangers one after the other and tossing them at me to catch. She wants me to try on practically everything she gets her hands on and, if Dylan wasn’t there, she’d probably make sure I bought it all too.

Still, the number of clothes we do come away with—all paid for from some mysterious bank account Dylan keeps referring to as mine—would probably make my mom have a hernia or something. I can hear her voice in my head saying, “Who in the world would ever need so many things?”

There are pants and shoes and sweaters and little jackets and long coats and hats and gloves and earrings and tiaras and basically anything you could ever imagine a person putting on their body. Even, of all things, an honest-to-goodness ball gown that I’m supposed to wear to something called the Welcome Ball that Mawihl Academy hosts at the end of the first week.

At one point Eilian informs me, all nonchalant like it’s no big deal at all, that in addition to the Welcome Ball, Aunt Nia and Uncle Wyn are going to throw me an introduction party, which is apparently a thing people do to welcome friends to Daxa for the first time.

“At least a hundred people have already confirmed they’ll be coming,” Eilian says like this is somehow a good thing.

I glance over at Dylan, probably looking exactly as horrified as I feel, and from the expression on his face I’m guessing this introduction party is as much a surprise to him as it is to me.

“Mum already bought you a dress,” Eilian says as she leans over an assortment of slipper-like shoes and scrutinizes them with a professional eye. “And jewelry. Aunt Nia’s got it all hanging up in her room as inspiration for the party design.”

I give Dylan another look, which he returns with a heavy dose of apology. As we’re leaving the store he comes up beside me and under his breath he says, “I suppose it will help establish Sophie’s identity in Daxan society,” as if this is supposed to make everything okay.

I just groan a little and make a face. If Melodie were in my place she’d probably be dying of happiness right now—if she were here with me, maybe I would be happy about it all too—but mostly I just feel overwhelmed.

Our last stop is to get me something that Dylan and Eilian call a handyphone. It’s basically a cell phone that you wear as a ring on your finger, and it is mind-bendingly cool to me.

First of all, by some sort of Painter voodoo magic that Dylan still insists is science, even though the ring part of the phone stays snug on your finger during a call, you can hear the other person’s voice in your ear as clear as if they were actually in your head. Text messages show up in blue light on your palm when you’ve got your hand faced toward you, and if you press your thumb against the back of the ring a piece of it will detach and expand until you’re holding a full-sized, touch-screen phone.

There’s a “mind reading” sensor on the ring itself and on the front of the cell phone that responds to your brain synapses when you’ve got your thumb pressed over it, so you can control your phone by painting. Another button expands the cell phone into a tablet and, if you happen to set the cell phone or tablet down and walk away, as long as you’re within a few feet of it you can just press your thumb to the ring and the detached part will come flying back into your hand.

The whole time the shop attendant’s explaining this stuff to me, I feel pretty much like James Bond getting the rundown from Q. I mean, I just keep wondering when she’s going to show me some secret compartment in the ring that shoots out poisonous darts or something.

What it does have, it turns out, is the ability to produce something called “light matter,” which is this blue, holographic-looking ball of light that you can touch and manipulate by painting. Dylan says it’ll come in handy when I’m practicing for school, that eventually I’ll find all sorts of other uses for it.

The shop walls are covered in little floating handyphone displays. There are metal ones, jeweled ones, wooden ones—pretty much any style a person could want. Dylan’s is a simple band, made out of a dark black stone that seems to glow from somewhere inside when you look real close, and Eilian’s is a white gold ring shaped into a graceful sort of Celtic-looking tree on her finger.

I think it’s going to be hard to pick out the one I want, but I find it in about five seconds. A delicate little dragonfly, all sparkling blues and greens. Real uncannily like the dragonfly that formed out of my dad’s photograph back in Flemingsburg. I know it’s the one as soon as I see it, and there’s a hint of something in Dylan’s expression that tells me he can probably guess why.

***********************************************************************

That afternoon Dylan goes to work for a couple hours, saying he’s got a lot to catch up on. Then, in the evening when he’s back and we’re all lounging around together in the family study, he texts me on my new handyphone and says he needs to speak with me alone. He arranges this by having me announce that I’m tired and I want to go to bed. Before I leave, he offers to walk me to my room so that I don’t get lost in their huge and rambling house, but as soon as we’re out of earshot of the others he says we’re going to his room instead.

It’s on the fifth floor, and to get to it we’ve got to pass through this gym that has a real tall, domed ceiling and these weird pegs and ledges all over the walls. The gym is pretty big—at least as large as the one in Logan’s church building back in Flemingsburg—but after everything else I’ve seen in Daxa today I’m not all that surprised the Lucases have got a space like that in the middle of their home.

Dylan’s bedroom, other than the size of it, is about as different from mine as a room could be. It’s all modern and sleek and pretty spotlessly clean, and from the ceiling right down to the threading in the quilt on his bed, everything’s a bright, crisp white with just a few pops of color here and there.

The only thing about the place that seems at all cluttered or disorderly is the built-in bookcases lining one wall. There are so many books in there that it looks like some kind of literary explosion. Books are squeezed in at every angle, double- and triple-parked on the shelves, and they’re nearly all real well-worn like they’ve been lovingly and frequently handled.

Dylan leads me over to a tidily arranged set of chairs surrounding a white coffee table in the far corner of the room. I flop down into the seat he indicates and curl my legs up under me. Then, on second thought, I carefully unfold my legs again and place my feet nice and neat back on the floor because it occurs to me that maybe having people rub their shoes all over his pristine furniture isn’t exactly Dylan’s favorite thing.

He doesn’t seem to notice any of this, though. Just slides down into the chair across from me, leaning all relaxed against the back of it and folding his arms behind his head like he’s very much in his own territory.

“I got hold of your mum,” he says, real nonchalant like it’s not all that big a deal, but as soon as I hear those words I’m practically out of my chair.

“You talked to her?” I ask, and he’d have to try real hard not to hear the million-and-one follow-up questions that hang ready in my voice.

He smiles a little bit.

“First thing she asked was if she could talk to you,” he says, but when he sees the reaction on my face he’s quick to add, “which we can’t allow yet, though. There’s more I need to set in place before I’d advise any contact between the two of you.”

I sit back in my chair again and try not to act too disappointed.

“Is she safe, then?” I ask, and Dylan nods, reassuring.

“She said it’s nice to be with her brother again, and to get to know his family.”

I don’t say it, but for some reason this just makes me feel a little worse, picturing Mom out there all happy without me, reestablishing ties to some family I’ve never known.

“I’m still working on tightening up any loose ends with her situation,” Dylan says, sitting up and pulling out a thin drawer in the coffee table. “I’m setting her up in protective custody. She’ll have security watching her at all times, but if they do their jobs right she won’t be able to tell they’re there. And they won’t know who she is or why she’s in the program. I’ll be the only one who knows that. Most of those arrangements should be finished by tomorrow afternoon.”

He slides some file folders out of the open drawer and drops them on the table in front of me.

“Your identity, on the other hand, is already nearly complete.” He pulls a couple maps and some photographs out of the folders and pushes them across the table toward me. “This is Gilford, Wyoming. Sophie Warren’s home sweet home.”

It’s small. Smaller than Flemingsburg even. I’m guessing probably way less than a hundred people live there, including kids. There’s only one real road that goes through the town, and a couple little side streets that look so beat and broken that they might as well’ve never been paved. Dylan shows me pictures of the shops and the houses that skirt the main street, and they’re not exactly anything to get excited about. Mostly they’re dirty and kind of rundown. Still, there are some things about the place that feel comforting and familiar. One house in particular, with a real well-kept garden and an old wrap-around porch, reminds me of Sara’s house back home.

On one of the maps, Dylan shows me the Warren farm—my supposed home. It sits at the end of a narrow dirt road that stretches away from the town and winds partway up the nearest mountain. The farm itself is a bit smaller than mine and Mom’s farm, but it’s charming and clean, and I’m betting it wouldn’t be hard to fall in love with the place if I ever did have to live there.

Dylan’s got pictures of practically every Gilford resident and their dog (and there are a lot of dogs), and he explains to me who they are, what they do, how I supposedly know them.

“This is Roger Sheridan” he says. “He’s the town handy man. His son Boyd has been a friend of yours since you were children. This is Margaret Tulley. She owns the general store just like her family has done for generations. She calls you ‘Soph’ instead of Sophie and when you were about 6 years old she caught you and Boyd Sheridan trying to carve your initials into the wall of her shop. She still calls you a ‘little scamp’ to this day.”

It’s like he’s written a whole novel or something. Seems like every person in the town has some story that connects to me, and I’m wondering how in the world he’s arranged all this in a matter of just a few hours.

“Are these actual people in an actual place?” I ask, kind of impressed but also a little skeptical. “What are they going to do if some taker comes walking into town and says, ‘Hey, do you know Sophie Warren?’”

“They’ll say, ‘Why, yes we do. That’s the little scamp I found carving her initials into the wall of my general store.’”

I just stare at him for a second and he gets that little look on his face like he knows he’s being pretty impressive.

“Most of this is Mary Warren’s doing,” he concedes, indicating all the photos and maps with his hand. “She really is an old friend of my mother’s, and when Mum approached her a week or so ago with the vague idea that Mary might be willing to pose as your mum, Mary said she rather thought she could offer up most of the town, and that’s what she has done. Told them all she’s working with the US government. That her job is to provide a false backstory for a sweet young girl who’s real parents got themselves mixed up in something awful. Told them this girl is now hiding out with a new identity until she can testify in court, and that Mary needs all her friends to act as if she’s always had a daughter and as if that daughter’s gone away to university now.”

“All those people were willing to do that?” I ask, and Dylan nods.

“Mary says her only problem has been keeping everyone to the same narrative. They all want to make up their own stories about you, and those stories can get fairly elaborate.”

To be honest I guess I’m not all that surprised. Logan would probably lose his mind if he had the chance to be part of some complicated scheme like this. Sara and Melodie—any number of other people in Flemingsburg too. Especially if they thought they were helping out a neighbor, and a friend.

Dylan pushes another photo across the table to me.

“This is Mary Warren,” he says, tapping his finger next to the person’s face. “This is your new mum.”

It’s a picture of a tall, dark-haired woman standing at the edge of a dirt road. She’s leaning against a rough, handmade log fence and looking at the camera all unsmiling like someone straight out of some Great Depression movie.

I don’t mean to, but I can’t help feeling just a little bit disappointed. I mean, yeah, my real mom’s spent most her life working on our farm too, but there’s just always been something so soft about her still. Sophisticated. This woman is all sturdy and earthy and physical.

“To make it believable for anyone who might be paying attention, you’re going to have to call Mary sometimes,” Dylan says, watching me real steady, and I’m guessing he’s noticed the disappointment in my face. “Treat her as if she’s your real mum who’s waiting back at home for you and whom you miss. Do you think that’s something you can do with her?”

I look back down at her picture, trying to imagine talking to her like she means anything to me at all.

“She doesn’t know you’re the Way Reader,” Dylan says, still watching me real close. Waiting. “She believes she’s simply helping out one of Mum’s friends who’s found herself in a tight spot.”

The more I’m staring at this Mary Warren woman, the more I’m thinking she’s not so severe after all. If you look close enough you can see the hint of a smile there, mostly in the wrinkles around her eyes.

“I can treat her like she’s Sophie’s mom, I think,” I say finally, and this appreciative smile flashes across Dylan’s face.

“Good,” he says, standing up and stepping around the coffee table to grab my hand.

“What are you doing?” I ask, kind of taken off guard by the sudden flare of essentual energy that sparks between our fingers and reverberates up my arm.

“Calling Mary,” he says, pushing his thumb down on the back of my dragonfly ring to expand it into handyphone mode.

He pauses for a second, this look on his face like he’s listening to something that I can’t hear. Then he lets go of me and steps back a little, expanding his own phone and bringing it up to his ear.

S’mae, Mum,” he says, almost cheerful. “You’re up early.”

Sort of smiling down at me, he holds his finger up to tell me it’s going to be a minute. Something about the way he does this—like he’s comfortable with me, like we’re just two friends hanging out—makes me feel kind of warm and snugly inside, and I relax back into my chair and settle in to wait for him.

“How’s nain and taid?” he’s asking. “Hm. Ie. Oes, she’s here with me now.”

Then he’s holding his phone out to me and saying, “Mum wants a word,” and any sense of snugness I was feeling is gone in a snap.

 I take the phone from him, but not because I want to. My insides feel suddenly like something’s in there that’s alive. I mean, what is he thinking springing a conversation with his mom on me like this? You’ve got to give a person a minute to prepare.

But turns out his mom’s got the same knack as Aunt Nia for making you feel all charming and interesting and worthwhile. Although, her accent is a bit more pronounced than Nia’s, dipping up and down in these real unexpected ways. And she doesn’t talk to me like she thinks of me as a kid. She tells me to call her Gweneth and treats me as if I’m just like any other friend.

“I’m sure Dylan will do his best to make you feel comfortable in our home,” she tells me. “Cadfan’s sister Nia, and Wyn as well. But if you find you’re in need of anything that they can’t provide, do feel free to contact me. I’ve asked Dylan to put my number into your phone, and hopefully someday soon I’ll have the privilege of meeting you in person.”

We don’t talk for very long. She says it’s morning in Wales and she’s got to get breakfast made for her parents.

“Maybe someday you can stop off at our little home here in Caergybi. From everything Dylan’s said, I think my mam and tad would really like to know you.”

When we say our goodbyes I hand Dylan’s phone back to him, and he goes grabbing for my other hand again, taking my own phone from me and saying that it’s time to call Mary.

“Best to jump right into these sort of things. Besides, she’s a few hours ahead of us so it’s growing late for her.”

He sits down on the armrest of my chair and props one foot on the coffee table, entering Mary’s number into my phone and hitting send. Then he hands it back to me and I see that the screen says it’s calling “Mom.”

The nervousness I feel as I take the phone now is entirely different than what I felt when Dylan’s mom called. With his mom I didn’t have to play act. Even though she talked to me as if I really was the daughter of her long lost friend, I was fully aware that she knew who I really was and all I had to do with her was be myself. With this Mary Warren person, I’ve got to pretend that I’ve known and loved her my whole life, and I’ve got to do it without letting her in on my real identity.

Staring up at Dylan as if he’s going to somehow save me from this, I bring the phone up all tentative to my ear and within seconds I’m hearing the voice of a stranger. It’s deep for a woman’s, and strong. With this gentle ripple to it like it’s being played over some old phonograph or something.

I barely have time to babble something about it being me, Sophie, before she jumps right in, asking me if I’m well, if the trip was pleasant, how I’m liking the Lucases and their home. Her questions come so quick that I just answer back on instinct, responding as honest as I can to every subject that she poses. Until, totally out of the blue, she asks point blank if I think Dylan’s kind of good looking, and at that point all I can manage is an awkward sort of stutter.

“His mother was stunning so I wouldn’t be surprised,” she says with this laugh that reminds me of well-worn quilts and cozy log fires. I glance kind of wary up at Dylan where he’s still perched on the arm of my chair, but if he can hear what Mary’s saying he doesn’t show any sign of it.

Then, just as unexpected as everything else about tonight, Mary’s already wrapping up our conversation, making me promise to enjoy myself in Daxa, to learn a lot.

“Good night. I love you,” she says as easy as if she’s said it to me every day of my life, and after an uncomfortable pause I repeat it back to her. Then just like that, the call is done.

Dylan’s kind of laughing as I’m shrinking the phone back into my ring. This pleasant, real quiet sort of laugh that I’d probably hardly notice if he weren’t sitting so close to me.

Looking down with a wry little smile he says, “You’ll have to learn to tell her you love her without rumpling up your face like that. It’s a dead give away.”

He slides off my chair and walks back around to the other side of the coffee table, starting to gather up all the photographs and maps of Gilford and putting them back into their folders.

“I’ve kept all of these files offline for now so that no one can hack into it,” he says, dropping the folders back into their drawer and then standing straight and looking down at me again.

“We need to start training you in painting and particle reading—as much as I can teach you before Agni comes back—so we should meet here every day, probably after dinner. You can go over all of the Gilford details as well, and once you’ve got them down I’ll get rid of all these files. You’ll need to seal it all into your mind as solidly as actual memories.”

   I’m pretty sure his standing there like that means tonight’s secret meeting has come to a close, so I stand up too, realizing suddenly how real tired I am. Dylan starts walking toward the door, and I trail after him.

“I’ll walk you back to your room,” he says as he waits for me to step out into the gym. “Until you get more familiar with the house, we don’t want to send you out on your own to go and get lost in it.”

***********************************************************************

In the morning Dylan goes back to work again, and he asks Eilian to take me on a tour of the house while he’s gone. She’s happy enough to do it, but to call what she gives me a tour would be really stretching the meaning of the word. It’s more like a game of hide and seek, the way she’s already disappearing around corners or into another room every time I so much as pause to get a better look at something.

The hallways are like a maze, and most of the rooms aren’t too much better. Every space seems to be filled with family heirlooms and ancient Painter artifacts. Eilian says that each floor of the house was built by a different Lucas generation, carved out of the inside of the tree as it grew big enough to allow for it.

In addition to an army’s worth of bedrooms, the place has loads of spaces that no normal person would have in their house. Like, on the ground floor there are two entertainment rooms that Eilian calls the blue and red salons as if she’s stepped straight out of some old romance novel or something, and on the fourth floor there’s an honest to goodness ballroom just dripping with chandeliers and golden sconces. Not too far down the hall from that there’s a huge arboretum where Aunt Nia grows a whole jungle of plants and herbs and things.

One wing on the third floor seems a little mustier than the others, a little less commonly used, with all sorts of extra weird artifacts and things stashed away in the rooms there. Things like a huge old Asian-style gong or an antique Particle-Blind printing press. They’ve gathered some dust and cobwebs, and they send strange shadows crawling along the floors and walls.

Eilian has even less time to give to this part of the house, as if she thinks whatever might be here isn’t worth our attention, but to me this all seems like exactly the kind of place where some ominous, ghostly figure’d be roaming the halls. Makes my hair sort of stand on end in that way that’s kind of exciting because you know there’s really not anything to be scared about, but maybe I am already a little bit primed and ready for a haunting by the time we pass by the little nook at the end of one of the corridors.

It’s not an inherently creepy nook. There’s a comfortable-looking little cushioned bench seat and a shelf with a few books on it, a vase of kind of quaintly dried flowers. What makes it creepy is the snarling brass dog’s head that’s hanging on the wall right smack above the bench. There’s no light on in the nook and the dim light from the hallway falls across the dog’s features at just the right angle to make it look pretty downright terrifying.

“What is this?” I ask, kind of laughing and stopping in the nook’s arched entryway in fascinated disbelief. But, as usual, Eilian just shrugs and keeps walking, barely looking over her shoulder to say that it probably belonged to one of her long dead ancestors.

I can’t turn away from the thing, though. I mean, it’s so alarming that I’ve just got to keep staring. And despite the fact it’s made out of brass, it’s real mesmerizingly life-like. I wouldn’t be surprised if any second now it turned it’s metal eyes down on me and made a quick lunge for my jugular.

So that’s where I am—rooted in that dim hallway, staring up at the dog while I listen to the sounds of Eilian’s footsteps disappearing around the corner again—when I feel suddenly sure that there’s someone else in the hall behind me. Someone standing real still and real close.


Previous: Chapter 10

Next: Chapter 12


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LESSER DEMONS: CHAPTER 10

Posting for feedback. (Frame of reference for returning readers: this used to be Chapter 6.) Thanks for reading!


CHAPTER 10

After a night full of dreams of my own room and my own house with my own mom in it, waking up in that strange bed covered in its billowing golden canopy feels a little like stepping into another dream rather than out of one.

Dylan’s gone when I wake up, but I’ve barely had a chance to bathe and clothe myself before he’s knocking at the door again. He comes in all brisk and purposeful and just a little bit apologetic. He says it’s time to get rid of all the stuff I brought with me from Flemingsburg, but he hands me some clothes to put on first. Clothes that I am not at all sure I’m ready to go around wearing in public.

There’s a leathery black bodysuit that fits as comfortable as my own skin and this real thin, asymmetrically-hemmed T-shirt to go over the top of it, with dark red combat boots that look a lot heavier than they actually are. The outfit’s accented with a little black lacey jacket, and it all looks much more effortless and cool than I’ll probably ever feel.

When I come out of the bathroom in the thing it must be real obvious that I’m kind of skeptical about it because Dylan gets this amused little look on his face and says, “Don’t worry, it suits you. And we’ll take you to get some more clothes after breakfast.”

He grabs my backpack off the floor by the bed and carries it past me and into the bathroom. I watch from the doorway as he sets it in the tub and crouches down to rest his hands on top of it. He glances up at me for a second like maybe he’s checking to make sure I’m okay with whatever he’s about to do, but then before I can say anything he just starts liquifying my bag to smithereens. Diffusing it and all of its contents down into this rainbow-colored sludge that goes oozing like melted crayons along the bottom of the tub.

It’s kind of a shock to see almost everything that ties me back to my old life just disappear down the drain like that, a visible reminder that I’m probably never going back to Flemingsburg again. Never going back to that world I’m already learning to call “Particle-Blind,” as if it’s something foreign.

I kind of can’t handle it, and I’ve got to turn away before Dylan’s even halfway done. I slip back into my bedroom and wait all quiet for him by the outer door, trying to pretend like I don’t feel suddenly and overwhelmingly lonely.

When Dylan comes out of the bathroom he doesn’t say anything. Just gives me a sympathetic almost-smile and steps out into the hallway, pausing there until he’s sure I’m going to follow.

The house seems brighter today, even though there aren’t any windows in the hall. There’s a fresh, alive sort of smell to the air too, as if it’s been pumped in straight from the garden outside or something.

Dylan leads me down the corridor to a wide set of marble stairs, all bright white and curving slowly downward. It’s not exactly the sort of thing I’d expect to see inside someone’s home, even a house like this one. It’s more like what a king would use, with whole throngs of servants straggling behind him and trumpeters at the bottom announcing his descent. All we’ve got to accompany us is the heavy echoes of our shoes against the stone.

At the bottom, the staircase opens up onto a room that is literally the size of a small amphitheater. The blue stone floor is marbled with veins that look like enormous waves spreading out from our feet. All over the place massive pillars the same white stone as the stairs rise up and up to the ceiling, which has got to be at least three stories high. It’s made of white marble too, with these big, oddly-shaped sheets of stain glass all over it, showing unfamiliar scenes made of eye-popping colors and filtering light through in these little shafts of softly diffused rainbow.

At this point I’ve just got to stop and stare because, I mean, this is just a little too much.

Dylan’s several strides into the room before he notices I’m not following. Turning to see what’s wrong, he takes in the stunned look on my face and is immediately and kind of annoyingly entertained by it.

“This is the great hall,” he says, as if that explains everything.

“Who lives in a house like this?”

“As of last night, you do. Come on. Breakfast has probably already been served.”

The dining room, which Dylan calls the family dining room as if there’s maybe another, is in the furthest corner from the stairway. It’s lined with huge, arching windows and so many hanging potted plants you’d almost forget you were indoors. Most of the room’s taken up by a dining table that could fit probably upwards of twenty people, but in a far corner there’s a smaller, round table set up with just five plates and a spread of food that’d give most of mine and Mom’s Thanksgiving dinners a run for their money. The smell of it—all savory and sweet and inviting—seems to fill the entire room.

There are three people sitting there—a man and a woman and a girl a couple years younger than me—and when Dylan and I step through the door, the three of them look around toward us all wide-eyed and curious like they’re expecting to see a five-armed monkey or something.

The woman, who I’m guessing is Dylan’s aunt Mrs. Jacoby, makes this excited little noise and pops up out of her seat to scurry over to us in a way that could only be described as dainty.

“Oh, it’s so good to have you here,” she says, wrapping me up in her arms as tight as if she actually knows me. Her hair is all in my face and she smells like flowers, and her hug is so full of exactly the kind of warmth and welcome I need this morning that for a second I’m afraid I’m going to cry.

Then she’s pulling away and smiling at me like I’m just the sort of person she likes the most, and she grips my shoulders and says, “Dylan’s mum’s told me all about you. Well, I suppose, about your mother, but I’m sure the apple doesn’t fall far from the tree. Do come and eat, my dear.”

She takes one of my hands and starts pulling me toward the table.

“I’m sure you haven’t had a proper meal for days. No slight meant to our Dylan, of course, but he’s not known for his culinary skills.”

She’s a short woman, and sinewy and as sun-wrinkled as if she’d never spent a whole day indoors in her life. She smiles easy and almost constantly, but somehow it still feels like something real special every time she flashes that smile at me. She tells me to call her Aunt Nia just like Dylan and Eilian do because, according to her, I’m officially part of the family now.

Her husband—who she introduces as Uncle Wyn—is a stocky man with a bald head and a long face and a little bit of a pooch to his belly. He’s gotten out of his seat to greet me, standing there and waiting with his hands behind his back and his feet slightly apart, looking somehow real solid and a little imposing.

I feel pretty out of my element about now, but I hold my palm out kind of tentative for pono, like Agni taught me. The man’s lips just sort of twitch at that, though. Then he takes a quick step forward and pulls me into a hug. His arms are real substantial and strong, in the way you’d expect from someone who works with his hands on a regular basis. He and Aunt Nia, with their weathered skin and that air of hard work about them, seem like they shouldn’t belong in this grand, opulent old house, but somehow they just really do.

The girl—the one I’m thinking must be Dylan’s sister Eilian—stays in her seat through all of this. Lounging there like she just can’t be bothered, eyeing me real critical with her head cocked to one side and her arms draped across her chair, all casual and kind of dignified.

She’s dressed in orange harem pants with a green silky tank top and a fedora, her mess of gold curls tumbling out around the bottom of the hat and framing her face like a halo. She’s pretty and petite like a pixie, but there’s something kind of intimidating about her too, and the way she’s staring me down right now is more than just a little bit disconcerting.

When she’s sure she’s got my attention she sort of leans toward me as if she’s trying to get a better look. Real blunt, she says, “You don’t look like a farmer,” and I’m pretty sure Dylan and Aunt Nia just about die.

“Eilian!” they both say as if scolding her is a pretty regular necessity, but I catch Uncle Wyn’s hint of a smile and I remember the way Dylan described Eilian last night.

So I get this real exaggerated sort of apology on my face and I say to her, “I left my overalls upstairs, and the straw hat blew off while we were traveling.”

She just looks at me for a few seconds, and then she says, “Well, that was pretty careless of you,” as if she’s real unimpressed, but there’s a smile peeping out at one corner of her mouth and, just like that, I know we’re going to be friends.

“Leave off, Eilian,” Dylan says, kind of affectionate, pulling out a chair for me next to her. “We’re starving.”

He takes the seat on my other side while Uncle Wyn dishes mounds of food onto our plates with a sort of pride that makes me think he’s probably the one who cooked it.

Aunt Nia asks about our journey, and I let Dylan tell her that it was fine, that we took it slow and leisurely and that the only difficult thing we encountered was a little too much snow. He’s a real good liar. It probably shouldn’t impress me, but turns out it does.

The food is delicious—like to the point of maybe actually blowing my mind—so I’m pretty content to sit there eating real slow, letting the flavors develop on my tongue in ways that I didn’t know food could do even, and I just listen to the others talk. The conversation’s mostly about their close friends and family—cousins living halfway around the world sort of thing—and it’s interesting to watch how they all interact with each other.

Uncle Wyn mostly just sits and listens as quiet as me, but Aunt Nia talks in a sort of stream of consciousness that’s accentuated by these exclamations of “Oh! Did you know that…?” and “Ah! Have I told you…?” in varying levels of excitement, all while Dylan grins at her and does his best to respond appropriately.

Every few minutes Eilian leans forward to deliver some imperious commentary on whatever Aunt Nia or Dylan’s just said. Then she punctuates her statements by thrusting herself back into her chair again, her arms folded all smug against her chest and her whole demeanor radiating this sort of playful self-satisfaction.

They’re all energized by each other, having fun. It’s the most noise I’ve heard in days and I’m loving it, but then the conversation lulls for a second and Dylan just totally ruins the mood.

“Where’s Gwilim?” he asks, real soft and unexpected, and you can tell his question makes everyone pause.

At least, everyone except maybe Eilian. She gives the nearest table leg a good, sharp little kick.

“Who knows? He’s been gone since before you left and he’s not been home once. At least not that I’ve noticed.”

“No. Nor have we seen him,” Aunt Nia agrees, kind of subdued.

“Franny Demirci said she heard he’s been staying at young Tom Cloutier’s,” Uncle Wyn speaks up, his eyes on Dylan’s face and his voice sounding like he knows this is definitely not good news.

Dylan stares back at him for a second, all stony-faced and stoic. Then he looks down at his plate again and starts picking at his food with his fork, suddenly real done with a topic that he brought up himself.

Aunt Nia kindly changes the subject, asking Eilian if she was aware that her friend Tua Moeaki would be starting at Mawihl Academy with the two of us on Monday, which just makes Eilian roll her eyes and let out this real exaggerated groan.

“Yes. Ever since he learned he got in, he talks of nothing else. Nefsakes, I wish he’d just gone to Central.”

***********************************************************************

After breakfast Dylan says he’s going to take me downtown to do some shopping and Eilian insists on coming along. I follow her and Dylan out to this huge garage that they call “the hangar,” where there are three car-sized vehicles that are just hovering there a foot or so off the ground, as if they were little mini spaceships or something. They’re shaped like raindrops that’ve been caught in a heavy wind and Dylan tells me they don’t run off of actual fuel.

“They’re called ‘emvees,’ or electomagnetic vehicles,” he says with a smile in his voice as he watches me crouch down and look under one of them to make sure the thing really is floating in mid-air. “They’re powered by the push and pull of electromagnetic forces. Not, like it appears you’re thinking, by magic.”

His emvee is a soft, silvery seafoam color and it’s a whole lot roomier than you’d expect from it’s flat-ish outer profile. Inside, the thing is all sleek and comfortable, with two captain’s chairs in the front and a bunch of holographic screens and buttons spread across the dashboard like some alien control panel.

Eilian climbs into the back so I can take the passenger seat next to Dylan. When I sit down, the cushioning of the chair actually sucks in to conform to the back of my body, and it’s such a shock to me that I let out this squawk of surprise that makes Eilian burst out laughing.

In fact, she seems real tickled with the way I’m responding to just about everything right now, and as the emvee skims all silent and gently swaying out onto their long driveway, I notice that she’s leaning real far forward in her seat, trying to get a look at my face. Which I know means something’s up.

There are loads of tall, dense evergreen trees lining the drive so I can’t see much of the garden beyond them, but I start scanning what I can see, trying to figure out whatever it might be that she’s so sure is going to get a reaction out of me. Other than the sheer size of their yard, though, I don’t notice anything too out of the ordinary.

Then, as the line of trees drops away, I get a clear view of the outside of their house for the first time, and at this point, I’m pretty sure my jaw drops.

“You live in a tree.”

It comes out all monotone and disbelieving, and Eilian pretty much loses it.

“It’s a great big, hulking tree,” I say again and look around at them as if maybe this time they’ll appreciate how weird that is, but Dylan just sort of smiles and Eilian laughs even harder.

I crane my neck around to try and get a better angle. Most of the side and top of the emvee is really just a huge window so even though their house—some sort of a willow, from the looks of it—is as tall as a large office building and probably as wide, I can still see most of it. It’s dotted by all these arched, paned windows with little balconies here and there and flowering vines growing all over the trunk of it. It should look like something straight out of a Keebler Elves commercial, but it doesn’t. It’s charming and pretty and even kind of dignified.

“Back in the early days of the Republic people took a lot of pride in shaping houses of out of living things,” Dylan says. “Or at least, out of things that already existed in nature. This house has been in our family for generations.”

I stare at him for a second and then jab my thumb back toward the tree. “Did you just say that thing is still alive?”

Eilian goes off in another peal of laughter like she just cannot get enough of this, but even though Dylan grins, he answers me without any hint of teasing.

“Aunt Nia mostly cares for it. We call her the plant whisperer.”

We’ve pulled out onto the street now, and as we drive down the road I see a lot of these kinds of strange houses. Huge trees of all varieties, towers made out of what looks like stacks of giant stones, hill houses like humongous hobbit mansions.

They’re interspersed with buildings that are more recognizably man-made, built out of bricks and stone and cement and wood, though there’s always something that’s a little strange about them. Turrets jutting out at unexpected angles, walls bulging into the air where you’d never think a building should bulge. As if, even though they are manmade, these houses were still built to look like the things you’d find in nature, made to loosely resemble mountains and plants and animals and things.

There are a lot more people out on the streets than I’d expect to see in an area that seems so residential. They’re dressed in all colors and all fashions as if they’ve just stepped off a runway show where the theme was everything, everywhere or something. Their clothes throw together styles from all over the world—from probably every time period since humans started dressing themselves—and it’s hard not to stare at them as we pass by.

Downtown Daxa is even more eye-boggling. I mean, I’ve seen some pretty amazing skyscrapers in movies and things, but these buildings are out of this world. There’s a fifty-story, shimmering orca rising out of the ground as if out of water, a jumbo-sized water bird poised as if it’s just landed gracefully on feet that seem way too delicate to support an entire building.

Most the other structures aren’t inspired so directly by real-life things, but they’re still much less buildings than they are works of art. As if they were sculpted on the spot by some giant, loving hand. Every surface is smooth as still water and wears the light of the sun like a cloak, shimmering all soft as if the city itself is glowing, and I understand now what Dylan meant when he called Daxa a light in the mountains.

I just stare out the windows at it all for a little while, stunned that a place like this can even exist. When I glance kind of wide-eyed around at Eilian she gives me a big, appreciative smile but she doesn’t laugh. Probably she thinks it’s pretty amazing too. Probably no matter how long you live here you never stop thinking that.

As we hit the streets between the skyscrapers, the crowds outside triple in size. People are bustling along the sidewalks that line the road, spilling into the intersections every time the lights change. The traffic lights themselves are the usual red, yellow and green, but they’re cased in decorative copper and they hang without support above each intersection, apparently just floating in the air. There are huge wooden totems at the corners of every intersection too. A reminder, Dylan says, that even though this is the capital of the Painter Republic, it’s really the home of the Kwakwaka’wakw people.

“We are their guests here,” he says. “This city only exists because they allowed it.”

Winding around the buildings a few stories above us, I notice huge transparent tubes with these blurring colors inside as if something’s moving through them at impossible speeds, going too fast for the naked eye to see.

“Those are for particle sailing,” Dylan says, noticing where I’m looking. “The only place, other than private residences, where it’s legal to do it in city limits. Allows you to get around town quickly if you want a good sail.”

He’s about to say something else, but he never gets the words out because, just then, this huge figure looms up right beside us, and after one glance at it I start to scream. The thing is like something straight out of a nightmare, all long and lanky, with half a dozen tentacle-like arms and a face of shining metal. It’s bent down toward my window, and it’s staring at me with these stone cold, pupil-less eyes.


Previous: Chapter 9

Next: Chapter 11


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